Feelingful Teeth

September 11, 2020

“John’s so sensitive!”

“Ouch! My teeth are really sensitive!”

If you (or your teeth) are sensitive, it means they have a lot of feeling. They’re really full of feeling. That is, they are feelingful.

“You’re more feelingful than your brother”

“He’s the most feelingful person I know!”

NOT: feelingfuller, feelingfullest. We don’t say “resentfuller” or “beautifullest”.

The negative can be formed with un-: unfeelingful. That is, “insensitive”.

That’s it! A new English word for you formed totally regularly from the tools already available to us.

© 2020 Bryan A. J. Parry

featured image from http://www.montefioredental.com/wp-content/uploads/2016/10/00435bab9971eb51bb1271da04831f20.jpg


Size, Temperature, Altitude, Age #PlainEnglish #Anglish #SaxonEnglish #PureEnglish

August 11, 2018

The words “size”, “temperature”, “altitude”, and “age” are all borrowed words: Old French sise (1300ad), Latin temperatura (1670), Latin altitudinem (1300s), and Old French aage (1200s). Why should words for such basic concepts be borrowed? This is particularly the case when we have words such as “length”, “height”, and “depth” derived from the adjectives “long”, “high”, and “deep”. Why shouldn’t adjectives such as “big”, “hot”, “high/tall”, and “old” give rise to analogous derived abstract nouns?

Note that we talk about “length”, derived as it is from “long”, even for short things. Likewise, we have: “height” from “high”, even for short things; “depth” from “deep”, even for shallow things; and “width” and “breadth” from “wide” and “broad”, even for narrow things. Further note that the biggest or positive polarity is taken as the default, just as elsewhere in the language; there is “happy”, “sad”, and “unhappy”, but “unsad” is marked and odd-sounding.

Therefore, as weird or comical as these may sound at first, I think the following are the logical and sensible Saxon English alternatives to their Franco-Latinate counterparts:

  • “size” becomes “bigness”
  • “temperature” becomes “heat” or “hotness”
  • “altitude” becomes “highness”
  • “age” becomes “oldth” or “oldness” (I feel that “oldth” is just about passable, despite -th no longer being productive, whereas “bigth” and “heath” don’t work for me on an intuitive level, and “heighth” is an informal, dialectal, and humorous form of “height”)

I feel that “altitude” is different enough from “height” that we can’t always use the latter instead; “what’s the altitude of this plane” seems to work, but swapping in “height” seems not to. But as so often is the case, the Latinate word is used where the plainer, Saxon word could be: “What altitude are we flying at?” can be perfectly well said as “how high are we flying?” My proposal of “highness”, just like “bigness”, “heat/hotness”, and “oldth/oldness”, should only be used where the more basic word is inappropriate.

© Bryan A. J. Parry

featured image from http://2.bp.blogspot.com/-GTTWr2bpaK8/U7Qig_E-7qI/AAAAAAAAAYU/2N_-zH9upS0/s1600/Mercuric+thermometer.jpg


Skeletons #Anglish #PureEnglish #PlainEnglish

May 25, 2018

I quite like the sound of the word skeleton; it’s very “cellar door“-ish to me. It has a fairly quirky word-history. It comes from the Latin sceleton, which in turn comes from the Greek skeleton soma: literally, ‘dried-up body, mummy’. Therefore, being a Greco-Latin word, this project aims to replace it!

Early English forms were more English-sounding: skelton and skelet. These would make excellent bishop-shifted forms. But could we come up with a wholly English form instead?

First, let’s ask: what is the skeleton? It is the bony framework of the body. Therefore, a more Saxon name for it might be “bonework” or “bonywork”. Think network and such.

There are other extended meanings of skeleton, too. How might these be put into Saxon English?

  • In the sense of “bare outline”, “skeleton” can be replaced with… bare outline!
  • “Skeleton crew” therefore become bare outline crew, bare crew, or outline crew.
  • “Skeleton in the closet” becomes “dead body in the cupboard” — closet also being a French word.

© 2018 Bryan A. J. Parry

featured image from http://skeletonpictures.org/large/6/Skeleton-Pictures-6.jpg


Wright #Anglish #PlainEnglish

April 30, 2018

Shipwright, cartwright, wheelwright, playwright (not “playwrite”!).

The word “wright” is related to wrought and work. A wright is, in short, a worker. But as you can tell from the above words, “wright” really implies a kind of craftsman or skilled worker, not just a regular slogger. This is clearly a useful word, but only pops up in these historic and set formations, and as a last name (Ian Wright! Wright! Wright!).

This nameword (noun) comes from the deedword/workword (verb) to work. But given the difference between a mere “worker” and the noble “wright”, we might wish to backform a new verb to wright, meaning to work in the specific sense of crafting or as a craftsman.

Let’s take this potentially useful nameword wright, and our new idea of the deedword to wright, and see how we can use them.

A carpenter (from the Latin root carpentum)  is someone who works wood, but with the craft-like connotations. Woodworker is a nice formation; indeed, I try to smuggle this word into everyday talk. Woodcrafter or woodcraftsman work, too, altho I feel not as well. Workwood, like turnkey or sawbones, are also fairly neat Saxon alternatives to “carpenter”. But I think woodwright really gets to the craftsmanlike aspect in an unambiguous way. Old English had the form treowwyrhta, which is literally “tree-wright”.

What about the stone mason? “Mason” itself is Old French masson of unclear parentage; it may ultimately be from a German tongue or Latin matio. Surely, we could say stonewright instead. Indeed, the Old English word was stanwyrhta “stone-wright”. Personally, I really like the sound of this even more so than the above alternatives to “carpenter”.

Maybe “wright” could be regularly treated as the English equivalent to Greek tekton as found in architect. Therefore, perhaps architect could be buildingwright? The following words also work, but are more unwieldy: buildingcrafter and  buildingcraftsman. Old English had the nice form heahcræftiga “high-crafter”, but maybe that wouldn’t be as self-clear as “buildingwright”.

© 2018 Bryan A. J. Parry

featured image from http://thecarpenterandthecook.com/wp-content/uploads/2013/10/Carpenter.jpg


Spelling: -o(u)r

February 14, 2018

One of the most well-known splits between US and UK spelling is the ending –o(u)r found in colour/color, honour/honor, valour/valor and so on. Whatever your opinion of either spelling, it should be noted that the forms are French and Latin and therefore should probably be taken out of Anglish. However, short of getting rid of every single word in the tongue which has this ending, which may not be possible, we need to face the need to make these forms more English. But how should we do this?

Broadly speaking, –our is French whereas –or is Latin. See the history from http://www.etymonline.com below. The English form for this sound in the position is almost always –er, as in teacher. Now, folk might not want to spell words like “colo(u)r” the logical English way, “culler”, as this Anglish movement is not primarily about spellings. But spellings are a part of the language. And many words simply cannot be taken out of the speech; even Icelandic and German have many outland borrowings. But there is no reason why the outland spelling should stay. Bear in mind that spellings like “onner” (for “hono(u)r”) are attested.

Folk may also complain that –er makes agent nouns (a “teacher” is one who teaches), and so spelling it “culler” might confuse issues with one who culls. But in any case, –er isn’t exclusive for agents, unless “butter” is someone who butts. And indeed, “butter” being one who butts is a perfectly legitimate word — none-the-less, context tells us what we mean.

So how’s this for an Anglish proposal? Where we cannot get rid of –o(u)r words, change the spelling to –er, particularly where the rest of the word doesn’t need changing at all: so maybe maybe not “culler”, but definitely “governer”. 

© 2017-2018 Bryan A. J. Parry

featured image from https://fablesandflora.files.wordpress.com/2014/01/abstract-colours-2-low-res.jpg

NOTES

http://etymonline.com/index.php?term=-or&allowed_in_frame=0

-orword-forming element making nouns of quality, state, or condition, from Middle English -our, from Old French -our (Modern French -eur), from Latin -orem (nominative -or), a suffix added to past participle verbal stems. Also in some cases from Latin -atorem (nominative -ator).

In U.S., via Noah Webster, -or is nearly universal (but not in glamour, curious, generous), while in Britain -our is used in most cases (but with many exceptions: author, error, senator, ancestor, horror etc.). The -our form predominated after c. 1300, but Mencken reports that the first three folios of Shakespeare’s plays used both spellings indiscriminately and with equal frequency; only in the Fourth Folio of 1685 does -our become consistent.

A partial revival of -or on the Latin model took place from 16c. (governour began to lose its -u- 16c. and it was gone by 19c.), and also among phonetic spellers in both England and America (John Wesley wrote that -or was “a fashionable impropriety” in England in 1791).

Webster criticized the habit of deleting -u- in -our words in his first speller (“A Grammatical Institute of the English Language,” commonly called the Blue-Black Speller) in 1783. His own deletion of the -u- began with the revision of 1804, and was enshrined in the influential “Comprehensive Dictionary of the English Language” (1806), which also established in the U.S. -ic for British -ick and -er for -re, along with many other attempts at reformed spelling which never caught on (such as masheen for machine). His attempt to justify them on the grounds of etymology and the custom of great writers does not hold up.

Fowler notes the British drop the -u- when forming adjectives ending in -orous (humorous) and derivatives in -ation and -ize, in which cases the Latin origin is respected (such as vaporize). When the Americans began to consistently spell it one way, however, the British reflexively hardened their insistence on the other. “The American abolition of -our in such words as honour and favour has probably retarded rather than quickened English progress in the same direction.” [Fowler]


Break #Anglish #PlainEnglish

July 27, 2017

Sadly, I haven’t posted anything new on Wrixlings for more than month. Lack of time and a bunch of personal commitments were responsible. But it was nice to be busy with other stuff and have a hiatus. Or should that be break? I can’t really see the point in the word hiatus myself — but to make the user sound clever.

Break is actually quite a useful word, coming up in all sorts of compounds.

Breakup (noun) or break up (verb) means “to disintegrate / disintegration” and comes from the literal sense of breaking up plough land.

Breakdown (noun) or break down (verb), of course, means “collapse”: a mental breakdown, a machine breaking down.

Breakeven (adjective, noun) is the point outgoings and incomings meet.

Breakaway (noun, adjective) can mean succession, separation, departing from the normal routine, or a person who does any of these.

Breakout (noun): an escape, manifestation or appearance especially of a disease, an itemisaton; (adjective) sudden increase, advance, or success, as in “Tom Cruise’s breakout film was Top Gun

Break in (noun, verb): unlawfully getting into someone’s home, car, office, and so on.

Heartbreak (noun): great sorrow, grief, anguish.

Ground-breaking (adjective): originating or pioneering new work or ideas.

What a fruitful word!

© 2017 Bryan A. J. Parry

featured image from http://www.movieposter.com/posters/archive/main/36/MPW-18388


Shrewsbury

June 19, 2017

The English town “Shrewsbury”. How do you say it? Some, like me, say it as “shrowes-bury”, to rhyme with “owes”. Others say “shroos-bury”, to rhyme with “shoes”?

This town’s name is quite interesting as it shows how the Norman’s mucked our speech up.

In the beginning, the town was “Scrobbesbyrig”.

The Normans couldn’t pronounce “scr-“, which was said more-or-less like the modern “shr”. So they spelt it, and said it, as “sr”. That also proved too hard for them, though, so they then changed it to “sar”. To make things worse, the sounds /n/, /l/, and /r/ often change their positions (“metathesis”) or swap for each other, hence Latin parabola but Spanish palabra and English palaver, or Spanish playa but Portuguese praia. Thus, Normanised “Saropesberie” became “Salopesberie” — and remember, the Old English form was “Scrobbesbyrig”! This is also why the shortening of the shire’s name, Shropshire, is “Salop.”

Lay folk carried on saying it as they always did. Throw in a few regular sound changes from the Middle Ages, such as b–>v–>u, and we got the modern pronunciations and spelling around 500 years ago.

Wow, did the Normans muck our speech up!

But what of the “right” way to say the town’s name: “Shrowesbury”, or “Shroosbury”? The simple answer is that both are right; enough folk say both to warrant both being considered right, and that includes folk who grew up in the town itself! But I reckon “Shrowesbury” might better represent the continuation of ancient “Scrobbesbyrig”, whereas “Shroosbury” looks to me like a spelling pronunciation based on the animal “shrew”. Look at the northern spelling pronunciations of “tong” (to rhyme with “long”) set against the southern pronunciation which rhymes with “young” and which represents a continuation of the original “tung” of Old English.

The moral of this tale is twofold. One, there isn’t always one right way of saying a word. Two, don’t get scribes who can’t speak the language to devise or modify a spelling system for it!

© 2017 Bryan A. J. Parry

featured image from http://www.aeroengland.co.uk/shrewsbury.jpg

 


Per

June 6, 2017

This is a really short post but, seriously, why say “miles per hour” or “once per day” when you can say “miles an hour” and “once a day/daily”?

The “a/an” we see here is not a corruption of “a/an”, but rather comes from the Old English for “on” which was an. It first meant “on (each)”, but in the end the meaning spread from times to measures, prices, places, and so on.

In other phrases, we might feel we still need “per”, but honestly, be brave! We don’t need it! Per annum, per diem, per capita, per se: all Latin. Just use the English when speaking English: a year/every year/once a year/by the year/yearly. And the same can be used of the others, too: a day, by (the) head, by itself.

So what is the point of “per”? Let’s chuck it.

© 2017 Bryan A. J. Parry

featured image from http://www.helpful-baseball-drills.com/images/100mph.jpg

 


Coward

May 16, 2017

Short post this fortnight.

Coward is from Old French coart which comes from coe ‘tail’ from the Latin coda/cauda which also means ‘tail’. It has the agent affix -ard (as in “sluggard”, “drunkard”, and so on). The idea is the same as when we say “turn tail and run”, or how a dog will put its tail between its legs. So a good Saxon alternative to “coward” is surely tail-turner.

© 2017 Bryan A. J. Parry

featured image from http://1.bp.blogspot.com/-TcAcQ8bQDPs/UG_tWETURwI/AAAAAAAAASQ/HFQ-GBtSx4I/s1600/dog_tail_legs_2.jpeg


Poetry #Anglish #PlainEnglish

May 5, 2017

Poetry, poem, and poet feel like such basic words, and Old English had such a great poetic tradition. Therefore, it’s a little sad to realise that we borrowed these words.

The word poetry ultimately comes from the Greek root ποιεω poieō meaning ‘I make’. In Old English, we had the words metergeweorc “meter-work” meaning ‘verse’ and metercræft “meter-craft” meaning ‘art of versification’.

Some senses of the word meter are ultimately from Greek, but some senses are from Old English. The homeborn, Germanic word is mete + er, mete meaning to measure (as in “mete out justice”). Thus meter is also Saxon word.

Poetry isn’t really about riming, but about the metre, that is, the rhythm and stresses. Therefore, meterwork and metercraft work really well for the word poem and poetry respectively.

A poet is clearly a meterworker or meterwright and/or a metercrafter/metercraftsman.

We also have the word skald which refers to a Scandinavian poet or singer of the Middle Ages — but we can easily take this word and update it for modern use (after all, “electric” comes from the Ancient Greek word meaning “amber”!) We might wish to spell this “scald” to show we have made the word English (and yes, the English word “scald” is indeed the same word as the Norse word skald! The link? Think how poets (and rappers) scald their opponents in verse).

Unlike in many languages, there is no deedword (verb) in English such as “poetrise”; that is, to do poetry. But with our Saxon forms about, we have no issue: both work and craft can be deedwords as well as namewords (nouns). So “I write poetry/I poetrise” could be “I meterwork/metercraft”.

© 2017 Bryan A. J. Parry

featured image from http://images5.fanpop.com/image/photos/31100000/poetry-poetry-31167131-998-783.jpg


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